Introduction

               Makyong is a tradisional form of dance –drama from northern Malaysia,particularly the state of kelantan.It was banned by the Pan- Malaysia Islamic Party in 1991 because of its animist and Hindu-Buddhist roots which pre-date Islam in the Asian region by far.In 2005 UNESCO declared makyong a “Masterpiece Of The Oral Intangible Heritage Of Humanity”.The late Cik Ning was a leading makyong performer in the 1980s.

            Makyong is considered the most authentic and representative of Malay performing arts because it is mostly untouched by external sources.Although most tradisional Malay dances were influenced by India,Java and other parts of Southeast Asia,makyung’s singing and musical repertoire are unique.Of the major stories performed in makyong, most are derived from Kelantan-Pattani mythology.some of those obtained from outside the Malayan-Thai region have now died out elsewhere such as Anak Raja Gondang,a story originally from the Jataka tales but now almost unknown in India.

            A performance begins by paying respect to the spirits (semah kampung) with an offering.This is followed by dancing,acting and improvised dialogues.Stories were presented in a series of three hour performances over several nights.The lead dancer is called the  pok yong and dresses as a king.The cast ussually includes a queen in second lead, palace girls and jesters.Tradisionally,all performers were female except for the clowns who are always male.A group called jong dondang sings and dances in between chapters and at the story’s closing. The mak yong orchestra is small with the main instruments played being the three-stringed spiked lute,drum (gendang) and a pair of gong.It may also include the flute (serunai),keduk drums and small cymbals (kesi).

            Today there are less than ten veteran mak yong performers.Although there have been a few attempts to revive the art form, seasoned performers have noted a clear difference betwee the commercialised mak yong of urban dancers when compared with the movements of rural performers. Not many young people are willing to undergo the rigorous apprenticeship so the art is now on the decline.......